The Wild, Wild East: An American Art Critic's Adventures in China is a lively and opinionated romp through China's contemporary art scene, based on first hand encounters with the artists, dealers, collectors, curators and auction specialists who have made Chinese contemporary art the fastest growing sector of the international art market. This is the first book to examine the success of China's art boom, the rapid fire development of its institutions and the thrilling biographies of its major players. It conveys the gold rush atmosphere of a country making millions off the sale of contemporary art and thrusting itself headlong into the international cultural arena. At the same time, The Wild, Wild East frankly investigates the pitfalls of this scene, the rampant corruption and conflicts of interest of many of the players and institutions, plus the continued presence of government controls.
An experienced journalist and art critic, Barbara Pollack has been reporting on China's developing art scene since 1997, writing a series of groundbreaking articles for Vanity Fair, Artnews, the New York Times, the Washington Post, Departures, Art in America, Modern Painters, Art Review and Art & Auction. With unparalleled access to the major figures both in China and abroad, she is unafraid to ask "Is this the emperor's new clothes?" in this country once ruled by emperors, now managed by post-Mao millionaires.
"A fresh and insightful take on the burgeoning Chinese art market and its general impact on the culture. Not to be missed." Arne Glimcher, CEO of Pace Wildenstein Gallery
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei