When Isak Dinesen's SEVEN GOTHIC TALES first appeared in 1934, their old-world atmosphere, their romantic style of writing, and their aura of mystery made them highly popular. Particularly in America, these tales of nineteenth century aristocratic life and of the supernatural found a wide audience of people tired of the vast amount of realistic and naturalistic fiction of the age. At that time, few Americans knew Dinesen's real identity (she is a Danish Baroness, Karen Blixen-Finecke). In fact, Dorothy Canfield, who wrote the introduction to the first American edition of SEVEN GOTHIC TALES, did not know whether the author was a man or a woman and only ventured the guess that the author was a northern European of aristocratic background. These tales, and Dinesen's subsequent work, have held a loyal audience ever since, although for many readers the enthusiasm that originally greeted the SEVEN GOTHIC TALES has been tempered by an awareness of the overwriting and the tricks frequently used to bring the plots together.Many of the plots involved in the SEVEN GOTHIC TALES deal with a vanishing aristocracy in Europe in the early or middle years of the nineteenth century. The aristocracy, concerned with passing its blood down from generation to generation, finds the lines of breeding corrupted by illegitimacy. The uncovering of illegitimacy, or sometimes of legitimacy, is one of the major plot devices in Dinesen's work. In "The Deluge at Norderney," for example, Jonathan Maersk is trying to escape the knowledge that he is really a baron's son instead of the son of a simple seaman. The knowledge that he is the baron's son makes Miss Malin Nat-og-Dag arrange a marriage between him and her godchild while they are all waiting in a hayloft for a rescue boat during a flood. The plot hinges on Jonathan's disclosure of his origin, no matter how melancholy this revelation makes him, for melancholy is fashionable among the aristocracy of the time. The question of legitimacy also plays a strong part in the working out of several of the other tales.
This carefully crafted ebook: "THE WEIRD TALES of H. P. Lovecraft: At the Mountains of Madness, The Call of Cthulhu, The Whisperer in Darkness, The Shunned House, The Outsider, Pickman's Model, The Picture in the House, The Temple…" is ...
This is Faulkner as he was meant to be read. In these four novels we can track Faulkner’s extraordinary evolution as, over the course of a few years, he discovers and masters the mode and matter of his greatest works.
'May you not rest, as long as I am living. You said I killed you - haunt me, then' Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire...
في نهاية الكتاب, العام 1914, يقول دميان لصديقه سنكلير: "ستقع الحرب حتماً.. ولكن سوف ترى يا سنكلير أنها لن تكون سوى البداية. لربما ستكون حربا كبيرة كبيرة, لكنها أيضا...
靑年畫家哈特賴特應聘去費爾利家當家庭敎師, 路上邂逅一個身穿白衣的女人, 從談話中得知她是從瘋人院裏逃出來的, 出于同情, 他幫她躲過了追蹤她的人. 哈特賴特發現, 自己的女學生勞娜很像那個白衣女人. 勞娜的父親臨終前將女兒許配給了帕西瓦爾爵士, 但是, 爵士看中的只是她的巨額財產. 他與意大利的秘密革命團体中的一個叛徒福克斯合謀, 害死了知道眞相的白衣女人, 並把她的尸体當作勞娜下葬, 又把勞娜當作白衣女人送回瘋人院, 勞娜于驚嚇之下患上失憶症. 與勞娜眞心相愛的哈特賴特挺身而出, 開始了營救勞娜, 揭穿帕西瓦爾陰謀詭計的行動.
The novel begins with the impending marriage of Conrad, son the lord of the Castle Otranto, to Isabella. On the day of the marriage, Conrad is mysteriously struck down by...
This carefully crafted ebook: "70+ SUPERNATURAL TALES OF GOTHIC HORROR: Uncle Silas, Carmilla, In a Glass Darkly, Madam Crowl's Ghost, The House by the Churchyard, Ghost Stories of an Antiquary,...
Most essential Machen work is from the 1890s, but The Terror is one of his most developed horror tales from his later career. This often waffling novella is meandering and...
Will has just returned home from sea to find his wife lying dead on the kitchen floor. Four states away, Phil has been waiting for his son to return home,...
A Dark Night's Work is an 1863 novel by Elizabeth Gaskell. It was first published serially in Charles Dickens's magazine All the Year Round. The word "dark" was added to...