Tutzing: Schneider, 1975. ————. Die Erstdrucke der Werke von Robert Schumann. Tutzing: Schneider, 1979. Hofmann, Renate. “Clara Schumann und ihre Sohne.” In Schumann Studien, ed. Gerd Nauhaus, 6:27–40. Sinzig: Studio, 1996. ————, ed.
This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819-1896)--at once artist, composer, editor, teacher, wife, and mother of eight children.
Describes the life of the German pianist and composer who made her professional debut at age nine and who devoted her life to music and to her family. Reprint.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the...
An appeal from the heartbroken Marianne begging Wieck to meet her in September so that Clara could be delivered “from my hands to yours” was ignored.* Johanna Strobel, Friedrich's maid, was sent to fetch the child in Altenburg, ...
And now came a young Saracen hero, like an Oriflamme, and jousted with lance and sword, so that it was a delight to see ... Most important of all was the time that they were together at Zwickau 26th Clara had set out on a little concert ...
This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819-1896)--at once artist, composer, editor, teacher, wife, and mother of eight children.
For use in schools and libraries only. Describes the life of the German pianist and composer who made her professional debut at age nine and who devoted her life to music and to her family.
Las mujeres son cantantes o pianistas. Interpretan la musica, pero no la crean. Clara Schumann fue diferente. Ella queria, necesitaba componer y de esta suerte se convirtio en un fenomeno de excepcion.