The city's defense lawyers proceeded to subject Corsaro and the Bay Times to scorched earth litigation tactics: 115 written interrogatories, 131 document requests, several depositions, 2 separate motions to dismiss, 4 separate motions ...
Hutchinson, G. O., ed. 1987. Aeschylus. Septem contra Thebas. Rev. ed. Oxford: Clarendon Press. Immerwahr, H. R. 1984. “An Inscribed Cup by the Ambrosios Painter.” AntK 27: 10–13. ———. 1990. Attic Script. Oxford: Clarendon Press.
6 Hundreds of curious, important, and often skeptical people came to converse with the Princess in person, overwhelmingly coming away from those conversations reassured as to her genuine Oriental identity.7 The immediate question was ...
This is because figures of speech are not about hypothetical structures in things, but about real potentialities within language and within ourselves. The "figurings" of speech reveal the apparently limitless plastic
This book exemplifies, analyses and describes different types of figurative meanings, or tropes, and rhythmical schemes in natural verbal language.
This engagingly written story is sure to appeal to historians of literature, culture, and communication; to linguists and book historians; and to general readers interested in how ideas about English developed in the early United States and ...
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Enrique Lihn's writings, both creative and critical, are considered in Chile some of the most significant in the country's distinguished literary history. This bilingual volume is the most complete collection of Lihn's work in English.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.
Summary: Uses cartoon-like drawings to represent such sayings as "Burning their bridges," "Sitting pretty," "To cut a long story short," and "I could just kick myself."
Recounting controversial First Amendment cases from the Red Scare era to Citizens United, William Bennett Turner - a Berkeley law professor who has argued three cases before the Supreme Court - shows how we've arrived at our contemporary ...