Ford Madox Ford
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Ford Madox Ford: Vision, Visuality and Writing
By Laura Colombino... 36 , 194 In Search of Lost Time , 194 Provence , 74 , 75 , 84 , 85 , 114 , 115 , 124 , 200 , 201 , 203-205 , 207 , 209 , 210 psychoanalysis , 17 , 27 , 46 , 107 , 183 , 199 , 212 , 218 psychology , 30 , 81 , 89 , 131,218 Purcell ...
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Ford Madox Ford: The Essence of His Art
By R. W. LidFord Madox Ford. (Writers and Their Work, No. 74). London: Longmans, Green, 1956. 4. GENERAL STUDIES Blackmur, R. P. “The King Over the Water: Notes on the Novels of Ford Madox Hueffer.” Princeton University Chronicle, DK (April, 1948), ...
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Ford Madox Ford: Literary Networks and Cultural Transformations
Authority is lacking: Ford keeps highlighting in his theoretical works the necessity for the author to stand 'aloof'.8 The same event or character is thus reflected ... This is in keeping with Ford's refusal of narrative as chronicle.
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Ford Madox Ford: Literary Networks and Cultural Transformations
By Daniel Moore, Andrzej GasiorekINTERMODERNISM. IN. FORD. MADOX. FORD'S. PARALLAX. VIEW. Nick. Hubble. I should say it started just before the last war, when Ford Madox Ford, the editor of the English Review, met D. H. Lawrence and saw in him the portent of a new ...
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Ford Madox Ford: A Reappraisal
... W. H. Hudson : A Biography , London : Faber , 1982 , p . 133 . 21. David Miller , W. H. Hudson and the Elusive Paradise , Basingstoke : Macmillan , 1990 , p . 119 . 22. William Bellamy , The Novels of Wells , Bennett and Galsworthy ...
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Ford Madox Ford
By Alan JuddFord Madox Ford is best known for two fictional masterpieces: The Good Soldier and the Great War tetralogy, Parade's End.