Grindhouse
-
Grindhouse: Doors Open at Midnight Double Feature
By Alex De CampiCheck your good taste at the door, because Grindhouse is back, and it's meaner, badder, and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi (Smoke/Ashes)!
-
Grindhouse: Cultural Exchange on 42nd Street, and Beyond
By Johnny Walker, Austin FisherDavid Church, Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom (Edinburgh: Edinburgh University Press, 2015), 14. 9. The blaxploitation westerns discussed here by Austin Fisher are cases in point of films that ...
-
Grindhouse: Cultural Exchange on 42nd Street, and Beyond
By Johnny Walker, Austin FisherThe pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed.
-
Grindhouse: "the Sleaze-filled Saga of an Exploitation Double Feature"
By Quentin Tarantino, Robert Rodriguez, Kurt VolkAn in-depth look at how this double feature was made includes working and post-production photographs, the screenplay to "Planet Terror," and interviews with the cast and crew of "Death Proof" about such topics as the plot, stunts, wardrobe ...
-
Grindhouse: Doors Open at Midnight Double Feature
By Alex De CampiCheck your good taste at the door, because GRINDHOUSE is back, and it's meaner, badder and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi.
-
Grindhouse: Cultural Exchange on 42nd Street, and Beyond
By Johnny Walker, Austin FisherVincent Canby, “Screen: Auto Racers and a Girl Adrift in 'Dirty Mary.'” 19. David Gartman, Auto Opium: A Social History of American Automobile Design (London and New York: Routledge, 1994), 196. 20. Ibid., 183. 21.
-
Grindhouse: Cultural Exchange on 42nd Street, and Beyond
By Johnny Walker, Austin FisherThe pervasive image of New York's 42nd Street as a hub of sensational thrills, vice and excess, is from where “grindhouse cinema,” the focus of this volume, stemmed.