Guillermo Del Toro
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Guillermo Del Toro
By John BankstonGuillermo del Toro began experimenting with film and horror movie makeup as a boy growing up in Guadalajara, Mexico.
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Guillermo Del Toro: Film as Alchemic Art
By Roger Clark, Keith McDonaldThis fascination with the icons of classic horror later translated into del Toro's assimilation of stylistic and thematic features from the Universal classics of Whale and Browning, the Poe adaptations of Roger Corman and the ...
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Guillermo del Toro: Film as Alchemic Art
By Roger Clark, Keith McDonaldWhilst acknowledging the viability of such a predominantly Marxist reading, Laurence Davies resists a purely allegorical approach to the film, stating 'to characterize this film, though, as any sort of allegory – political, cultural, ...
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Guillermo del Toro: Film as Alchemic Art
By Roger Clark, Keith McDonaldPerlman's performance as the thuggishAngel de laGuardia is rechannelled in his brief cameo as the dangerous Hannibal Chau. ... The decommissioned Jaeger pilots become, as Pentecost suggests, 'the resistance' working against thegrain of ...
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Guillermo Del Toro: Film as Alchemic Art
By Roger Clark, Keith McDonaldA critical exploration of one of the most influential figures to emerge in contemporary film, Guillermo del Toro.
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Guillermo Del Toro: At Home with Monsters [Museum Edition]
By Roger Clark, Keith McDonald, Paul KoudounarisThe companion to a new exhibition on the visionary work and imagination of director Guillermo del Toro.
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Guillermo del Toro: The Iconic Filmmaker and his Work
By Ian NathanLike many young cineastes, del Toro idolised Smith's (sometimes literally) revolutionary grotesques in The Exorcist ... 'I think that without Dick Smith I wouldn't be a filmmaker,' said del Toro, 'he was instrumental in making the tools ...
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Guillermo Del Toro: The Iconic Filmmaker and His Work
By Ian NathanAn engaging and in-depth examination of the work of Guillermo Del Toro, one of the most revered directors working in modern cinema.