Mathematics and Music
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Mathematics and Music: Composition, Perception, and Performance
By James S. Walker, Gary W. Don... and explanation without intent to infringe. Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the CRC Press Web site at http://www.crcpress.com To Angela Contents Preface About the Authors 1 Pitch, Frequency,
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Mathematics and Music: Composition, Perception, and Performance
By James S. Walker, Gary W. DonThe new edition of this popular text is more accessible for students with limited musical backgrounds and only high school mathematics is required.
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Mathematics and Music
By David WrightMusically, the student should have had some exposure to musical staffs, standard clefs, and key signatures, though all of these are explained in the text.
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Mathematics and Music: Composition, Perception, and Performance
By James S. Walker, Gary W. DonAlong with helping students master some fundamental mathematics, this book gives them a deeper appreciation of music by showing how music is informed by both its mathematical and aesthetic structures.
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Mathematics and Music: A Diderot Mathematical Forum
By Hans G. Feichtinger, Gerard AssayagBerlin: Heldermann 1985 Mazzola, G.: Geometrie der Töne. Basel: Birkhäuser 1990 Mazzola, G.: presto Software Manual. Zürich: STOA music 1989–1994 Mazzola, G.: Synthesis. Zürich: STOA music 1990 Mazzola, ...
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Mathematics and Music: A Diderot Mathematical Forum
By Hans G. Feichtinger, Gerard AssayagThe logic takes modalities , such as necessary ( □ ) , and possible ( ◊ ) as operations on musical propositions ( p , q , ... ) in the temporal domain . The propositions stand for any kind of conceptualization of heard music .
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Mathematics and Music: Composition, Perception, and Performance
By James S. Walker, Gary DonThis text explores the many links between mathematics and different genres of music. It requires only high school mathematics. The new edition offers many updates, including several new sections.