Merce Cunningham
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Merce Cunningham: The Modernizing of Modern Dance
By Roger CopelandBurroughs, William S. Naked Lunch. New York: Grove Press, 1959. ——. The Ticket That Exploded. New York: Grove Press, 1967. Cage, John. A Year From Monday. Middletown, CT: Wesleyan University Press, 1967. ——. “On the Work of Nam June ...
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Merce Cunningham: The Modernizing of Modern Dance
By Roger CopelandIn his New York Times review of Pollock — which Harris conceived and directed in addition to playing the title role — Stephen Holden observes , ... in Pollock , the tense domestic clashes between the artist and his wife , the painter ...
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Merce Cunningham: The Modernizing of Modern Dance
By Roger CopelandFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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Merce Cunningham: After the Arbitrary
By Carrie NolandNichols, David. John Cage. Urbana: University of Illinois Press, 2007. Noland, Carrie. “(After) Conceptualism: Contemporaneity in Choreography.” In Being Contemporary: French Literature, Culture, and Politics Today, 43–66.
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Merce Cunningham: Co:mm:on Ti:me
By Joan Rothfuss, Fionn MeadePublished in conjuction with exhibitions held at Walker Art Center, Minneapolis, February 8-July 30, 2017, and Museum of Contemporary Art, Chicago, February 11-April 30, 2017.
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Merce Cunningham: Creative Elements
By David VaughanThe essays collected in this special issue of Choreography and Dance were written over the last few years and discuss various aspects of the work of Cunningham as seen both from the outside and the inside.