Mukarovsky, J.(1978) Structure, Sign, and Function, eds J. Burbank and P. Steiner,New Haven: Yale University Press. Nochlin, L.(1971) Realism , London:Penguin. Orgel, S. (1981) 'TheRenaissance Artist as Plagiarist', ELH , 48, 476– 95.
Mimesis: en repetition
Mimesis
"A fundamental historical account of the much-cited but little-studied concept of mimesis, and an essential starting point for all future discussions of this crucial critical concept."—Hayden White
This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.
Nel presente volume sono raccolti gli interventi del XXXV convegno interuniversitario di Bressanone-Innsbruck (2007) dedicato alla figura di Erich Auerbach. Questo convegno ha avviato la riflessione su tre figure emblematiche...
"To describe Mimesis as a classic is to offer something of a dismissive understatement, which conveys nothing of the excitement of this book, as fresh and direct, as untechnical, as when it first appeared.
Here his most famous work is translated into English for the first time. In it he gives a panorama view of Russian writing, focusing in on the work of Nikolai Gogol, Fyodor Dostoevsky and Andrei Bely.
Mimesis: la representación de la realidad en la literatura occidental
Mimesis: la representación de la realidad en la literatura occidental
En este libro, Auerbach va trazando, a lo largo de tres milenios, la historia de la representación poética en Occidente, con base en ejemplos característicos que siguen de modo cabal su análisis.