Lomax, Alan. Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and “Inventor of Jazz.” Berkeley: University of California ... Lopez, Donald S., Jr. A Modern Buddhist Bible: Essential Readings from East and West.
De Philadelphie à Cleveland, de la Californie aux Cévennes, ce livre retrace la vie et l’œuvre de R. Crumb, baby-boomer qui quitta à dix-neuf ans la famille dysfonctionnelle dans laquelle il avait grandi pour devenir d’abord ...
" In this collection of interviews that spans from the late 1960s to the beginning of the twenty-first century, the comic artist proves to be iconoclastic, opinionated, and impervious to the commercial moods of the public
From Aargh! to Zap! Harvey Kurtzman's Visual History of the Comics. New York: Prentice Hall, 1991. Lacarrière, Jacques. The Gnostics. San Francisco: City Lights, 1989. Laycock, Emily. “Graphic Apocalypse and the Wizard of Grotesque: ...
In this collection of interviews that spans from the late 1960s to the beginning of the twenty-first century, the comic artist proves to be iconoclastic, opinionated, and impervious to the commercial moods of the public
Printed on bible paper and bound in leather, with gold debossing and edging, this volume looks and feels like a traditional bible, with no outward suggestion of what it contains.
The work starkly depicts sex, violence, and race, among many other subjects, offering revelator insight into the human condition within the snarled jumble of a radically changing America."--Page 2 of cover.
This volume spans Crumb's life and career, covering his views on sex, politics, art, racism and culture, his peers and family, his flirtations with success on America's terms and his later rejections of those terms.