Scientific Americans
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Scientific Americans: The Making of Popular Science and Evolution in Early-Twentieth-Century U.S. Literature and Culture
By John Bruni195– 7; Emily J. Orlando, 'Picturing Lily: body art in The House of Mirth', in Gary Totten (ed.), Memorial Boxes and Guarded Interiors: Edith Wharton and Material Culture (Tuscaloosa: University of Alabama Press, 2007), pp. 83–110.
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Scientific Americans: Invention, Technology, and National Identity
By Susan BransonDigging in the City of Brotherly Love. New Haven, CT: Yale University Press, 2008. Yokota, Kariann Akemi. Unbecoming British: How Revolutionary America Became a Post-colonial Nation. Oxford: Oxford University Press, 2011.
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Scientific Americans: The Making of Popular Science and Evolution in Early-Twentieth-Century U.S. Literature and Culture
By John Bruni21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 York: D. Appleton & Company, 1894), pp. 80–1. London's reading of evolutionary theorists can be found in David Mike Hamilton, 'The Tools of My Trade': The Annotated Books in Jack ...
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Scientific Americans: Invention, Technology, and National Identity
By Susan BransonIn Scientific Americans, Susan Branson explores the place of science and technology in American efforts to achieve cultural independence from Europe and America's nation building in the early republic and antebellum eras.
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Scientific Americans
By John MightonJim, a young physicist, moves to an army research facility with his fiancée Carol to continue his post-doctoral studies. The play traces the breakdown of their relationship as he is...
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Scientific Americans: The Making of Popular Science and Evolution in Early-twentieth-century U.S. Literature and Culture
By John BruniBruni looks at the works of Theodore Dreiser, Edith Wharton, Jack London, and Henry Adams, arguing that their works both illustrate how social environments shape the representation and reception of evolutionary theories and test the ...