... GENTLEWOMANJU WEIRD SISTER | Susan Dury PORTER LENNOX John Bown YOUNG MACDUFF Malcolm Milne ANGUS Duncan Preston FLEANCE Tony Valls SERGEANT OLD MAN } David Howey SEYTON ROSSI Jan McDiarmid LADY MACDUFF ) DOCTOR KING LEAR ( Royal ...
See Baldwin 1927, casting-chart between 434 and 435. On Rice's early career with the King's Men, see p. 61. Ecclestone appears in the actor-list for The Alchemist and he is not recorded with another company in the previous years, ...
This book explores the ways in which Propeller's evolution is integrated with its productions in performance and provides a record of this unique contributor to contemporary Shakespearean performance.
The script was cut sparingly, with minor alterations in 1.2 (lines 78–85, for Pompey and Mistress Overdone were moved to open the scene), 3.1.28–32 (the Duke's exhortation to Claudio lost a few of its medical details) and five of ...
... Le Monde; Jean-Jacques Gautier, ' La Dispute de Marivaux-Patrice Chéreau', Le Figaro, 27 October 1973. 13 H. R., in La Croix, complains of'tripatouillages', 11 November 1973. Guy Dumur, 'Le cauchemar d'une nuit d'été', ...
Reconsidering casting and acting styles, staging and playing venues, audience response, influence and popularity, and local, national and international politics, the book presents case-studies of performances of Macbeth, The Tempest, The ...
This book explores the theatre's first decade of productions under the pioneering leadership of Sir Mark Rylance.
Hall, Peter. 1964. 'Shakespeare and the Modern Director'. In The Royal Shakespeare Theatre Company, 1960–63, edited by John Goodwin, 41–48. London: Max Reinhardt. Hall, Peter. 1983. Peter Hall's Diaries: The Story of a Dramatic Battle, ...
King Lear was announced as Sir Nigel Hawthorne's farewell to the stage, at least partially inspired by his Oscarnominated performance in Nicholas Hytner's The Madness of King George. Beloved of British audiences for his awardwinning run ...
2008 2009 2010 2011 2012 2013 2014 2015 2016 Love's Labour's Lost, Antony and Cleopatra, The Santaland Diaries, A Christmas Carol Volpone, Macbeth, The Jew of Malta, Cymbeline, The Witch, The Taming of the Shrew, The Merchant of Venice, ...
An iconoclastic figure who inspires strong reactions both personally and professionally, Peter Sellars continues to amaze and confound. This book takes readers inside his world for the first time.
However, Hall's career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall's work as a deliberate articulation of Shakespeare and national culture in the post-war years.
Aebischer, Pascale (2013), Screening Early Modern Drama, Cambridge: Cambridge University Press. ... Barker, Roberta (2007), Early Modern Tragedy, Gender and Performance, 1984–2000, Basingstoke: Palgrave Macmillan.
... Bacchai 161 dir. Betrayal 2003 170 dir. Coriolanus 1959 11, 29–31, 35–9, 43,47–8, 53, 123, 145 dir. Coriolanus 1984 7, 90, 111–19 dir. Cymbeline 195716–17, 21–4 dir. Cymbeline 1988 125, 127 dir. Der Ring des Nibelungen 110 dir. Design ...
... Dublin Stage, 1720–1745, in Theatre in Dublin, 1745–1820: A Calendar of Performances, ed. John C. Greene, 6 vols. (Lanham: Lehigh University Press, 2011), 6:4562. 28 Howard, Women as Hamlet, 38–9. 29 Charles Lee Lewes, Memoirs, 4 vols ...
An iconoclastic figure who inspires strong reactions both personally and professionally, Peter Sellars continues to amaze and confound. This book takes readers inside his world for the first time.
This book situates Cheek by Jowl's work within the key institutions and traditions that have shaped the company's development from low-budget beginnings at the Edinburgh Festival to international celebration, while also focusing ...
This book assesses how one American company has capitalised on history and in so doing has forged one of its own to become a major influence in contemporary Shakespearean theatre.
This book assesses how one American company has capitalised on history and in so doing has forged one of its own to become a major influence in contemporary Shakespearean theatre.
... Eighteenth-Century Gothic Stage'. In The Cambridge History of the Gothic. Volume 1: Gothic in the Long Eighteenth Century, edited by Angela Wright and Dale Townshend, 198–221. Cambridge: Cambridge University Press, 2020. Baer, Marc ...