Stendhal
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Stendhal: The Charterhouse of Parma
By StendhalThe Charterhouse of Parma tells the story of the young Italian nobleman Fabrice del Dongo and his adventures from his birth in 1798 to his death in 1829 (?).
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Stendhal: The Background to the Novels
By Margaret G. TillettStendhal: The Background to the Novels
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Stendhal: Fiction and the Themes of Freedom
By Victor Brombertimagine that the name Brulard had been replaced by Bernard: the result, he explains, would be "a novel written in the first person singular.” The comment is made as a form of apology to justify the self-centered nature of the book.
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Stendhal: The Red and the Black and The Charterhouse of Parma
By Roger PearsonFor very good semantic reasons, the verb is grammatically defective: one cannot, in the first person, use it retrospectively. We encounter again, even here at the end, Stendhal's typical prospectivity, his predilection for the future ...
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Stendhal: The Red and the Black and The Charterhouse of Parma
By Roger PearsonIn part one he provides generous samples of the most important nineteenth-century responses to the novels, almost all of them translated into English for the first time.
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Stendhal
By Michael WoodStendhal
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Stendhal: The Red and the Black
By Stirling HaigProfessor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant ...
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Stendhal: Comprehensive Research and Study Guide
By Harold Bloom... V, to whom she sacrifices her virtue in exchange for Fabrizio's freedom ... Parma. Count Mosca, a middle-aged courtier with cheerful manners and a knack for sparing the Prince from embarrassment, enters the ... The Charterhouse of Parma.
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Stendhal: Fiction and the Themes of Freedom
By Victor Brombert... Chroniques du crime, Cour d'assises, and Palais de justice. It is not the trial and the punishment that interests Stendhal, but the passionate commitment implicit in the criminal deed, the élan that translates that crime into an ...
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Stendhal: A Biography
By Robert Alter, Carol CosmanStendhal: A Biography