The Routledge Companion to Theatre and Performance

  • The Routledge Companion to Theatre and Performance
    The Routledge Companion to Theatre and Performance
    By Paul Allain, Jen Harvie

    Adrian Jackson and Candia Blaker, London: Routledge. —— (2002) Games forActors and Non-Actors, trans. Adrian Jackson, 2nd edition, London: Routledge. Bottoms, Stephen, J. (2003) 'The Efficacy/Effeminacy Braid: Unpicking the Performance ...

  • The Routledge Companion to Theatre and Performance
    The Routledge Companion to Theatre and Performance
    By Paul Allain, Jen Harvie

    ENGEL;. 1949). Although not the première, this 1949 performance of one of Bertold Brecht's central full-length plays is recognized as a model of what he championed for the theatre. The play was written in 1938 just before and in ...

  • The Routledge Companion to Theatre and Performance
    The Routledge Companion to Theatre and Performance
    By Paul Allain, Jen Harvie

    ... 121–2, 199 Malina, Judith 127–9 Maly Theatre 242 Mamma Mia 229 Man Who Mistook His Wife for a Hat, The 40 Man Who, The 39 Manim, Mannie 65, 67 Mann, Sara Shelton 54 Maori dance 75, 117–8 Marat-Sade 38 Marber, Patrick 200 Margolin, ...

  • The Routledge Companion to Theatre and Performance
    The Routledge Companion to Theatre and Performance
    By Paul Allain, Jen Harvie

    This volume provides an introduction to the significant people, events, concepts and practices that have defined the complementary fields of theatre and performance studies.

  • The Routledge Companion to Theatre and Performance
    The Routledge Companion to Theatre and Performance
    By Paul Allain, Jen Harvie

    ... shadow, rod, glove, marionette, body double or ritual totem, they have a powerful transformative ability in both ... Strings, Hands, Shadows: A Modern Puppet History, Detroit: Detroit Institute of Arts. —— (ed.) (2001) Puppets, Masks ...