Trench Art

  • Trench Art: Materialities and Memories of War
    By Nicholas Saunders

    Schofield, J., Johnson, W.G. and Beck, C. (eds), 2002. Matériel Culture: The Archaeology of 20th Century Conflict. London: Routledge. Schroeder, J.J. (ed.). 1972. Arms of the World -1911 (ALFA Catalogue). Northfield, IL: Digest Books.

  • Trench Art: Materialities and Memories of War
    By Nicholas Saunders

    To counteract this, the Union des Fabricants d'Armes de Liège set up a cooperative society Le Jouet Liégoise in the ... Many of the workers were widows or women whose menfolk were serving in the Belgian Army (Roger Evans, pers. comm.

  • Trench Art: A Brief History & Guide, 1914-1939
    By Nicholas J. Saunders

    He reveals the lost world of trench art, for every piece relates to the story of the momentous experience of its maker - whether front-line soldier, prisoner of war, or civilian refugee.

  • Trench Art: Materialities and Memories of War
    By Nicholas Saunders

    For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms.

  • Trench Art
    By Nicholas J. Saunders

    This book describes the different types of trench art, the techniques used to make them, and their historical and personal values to the soldiers, prisoners-of-war and families who made and bought them.

  • Trench Art
    By Nicholas J. Saunders

    Nicholas J. Saunders. In Memory of WILLIAM, MATTHEW, JAMES & JACK, all of whom fought and survived First published in Great Britain in 2001 by Leo Cooper This second edition published in 2011 by Pen & Sword Military an imprint of Pen ...

  • Trench Art: An Illustrated History
    By Jane A. Kimball

    "Trench art" is a highly evocative term conjuring up the image of a mud-spattered soldier in a soggy trench hammering out a souvenir for a loved one at home while...

  • Trench Art: The Stories Behind the Talismans
    By Judy Waugh

    Many of the soldiers whose stories she reveals are Australians, but there are others too. The power of the objects is in the story of the men and women behind them."--Preface.