This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.
Sarastro et la voix du maître : La Flûte enchantée. Travaux accomplis par Kentridge en lien avec sa production de l'opéra de Mozart, La Flûte enchantée. Tirer les leçons de l'absurde : Le Nez.
But then in the heart, in the center of Africa, in our house in Houghton, was Michelangelo's Last Judgment (1536–1541) and Hobbema's painting of an avenue of poplars (The Avenue at Middelharnis, 1689), the latter on the cover of The ...
Beautifully written, the text retains clarity in complexity."—Jennifer A. González, Professor of History of Art and Visual Culture, Contemporary Art, and Race and Representation, University of California, Santa Cruz
In 2010, and again in 2013, he staged Dmitri Shostakovich’s The Nose at the Metropolitan Opera; after the premiere, the New York Times noted that “Kentridge, who directed this production, helped design the sets and created the videos ...
William Kentridge: Drawings for Projection : Four Animated Films
William Kentridge: Fortuna
William Kentridge: Drawing Us Into a New World
William Kentridge tells the story of these African porters who ensured the success of the victors, but remain in the shadows.
Surveying 35 years of the celebrated South African artist's practice, this landmark exhibition includes all 18 works from the Broad collection with substantial loans from across the United States and South Africa.
In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature...
This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa.
South African artist William Kentridge makes drawings that he erases, alters, or augments, all the while filming them to bring the drawings to life. William Kentridge: Weighing... and Wanting focuses...
South African artist William Kentridge has produced an outstanding body of work in multiple mediums all of which trace the fraught political and cultural history of South Africa.
This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges--at 800 years one of Europe's oldest surviving hospital buildings - organized around the themes of trauma, healing, and compassion.
This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
William Kentridge
Examines artwork from William Kentridge, focusing on the artist's interest in the social landscape in his native South Africa, and examining five main themes used throughout Kentridge's career.
Designed with the early Baedekers in mind, this bilingual book acts as an essential component to viewing Kentridge's erased-graffiti figures and understanding the process of their creation, with useful gatefolds, a poster and a leporello of ...