Baltimore: The Johns Hopkins University Press, 1996. Fell, Alison S. French and Francophone Women Facing War. New York: Peter Lang, 2009. Felski, Rita. The Gender of Modernity. Cambridge, MA: Harvard University Press, 1995.
... to look like Naomi Campbell. None of us are going to look like Christy Turlington; so in a way I think it's kind of sad.' Basinger/Potter: 'Not many of us are going to look like you either, so...?' Cher: 'Well, yeah, I don't know.
How has the new Hollywood' responded to the new woman'? Working Girls investigates contemporary cinema's ambivalent and complex relationship with gender and sexual dentities in the wake of feminism.
Working Girls investigates the thematic concerns of contemporary Hollywood cinema, and its ambivalent articulation of women as both active, and defined by sexual performance, asking whether new Hollywood cinema has responded to feminism and ...
Sex, Taste, and Reform in the Parisian Garment Trades, 1880-1919 Patricia Tilburg. continual conquest at the point of ... Jerrold Seigel, Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life (Baltimore, 1986), 39–42.
A saleswoman herself , she recognizes the seductions of promotional discourse , and her knowing resistance informs her attitude to her neighbour , engrossed in Anna Lombard . This fellow passenger personifies embodied , uncritical ...
Accompanied by essays from Professor Ruth Rosen and Dennita Sewell that provide an insightful historical overview of these images in context of the period in which they were taken and a preface from famed burlesque dancer Dita von Teese, ...
Witty, beautiful, and packed with wisdom, Working Girls is the ultimate guide for the working woman.
Witty, beautiful, and packed with wisdom, Working Girls is the ultimate guide for the working woman.
She thought she was hardened, but gazing at Michelle's pale, broken body she is consumed by a cold fury. She knows this case is different - this is the one that will push her to the edge.
. . Working Girls: Money, Power & Love is a modern multicultural Sex and the City set at a fictional Fortune 100 Company where everyone is screwing each other, some professionally and some romantically.