The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations. Using a wide range of printed materials--prefaces, dedications, and other paratexts as well as book reviews, advertisements, and editorials that appeared in the era's magazines and newspapers--The Moral Economies of American Authorship recovers and analyzes the circulation of authors' moral currency, attending not only to the marketing of apparently ironclad status but also to the period's not-infrequent author scandals and ensuing attempts at recuperation. These preoccupations prove to be more than a historical curiosity-they prefigure the complex (if often disavowed) interdependence of authorial character and literary value in contemporary scholarship and pedagogy. Combining broad investigations into the marketing and reception of books with case studies that analyze the construction and repair of particular authors' reputations (e.g., James Fenimore Cooper, Mary Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of the field's investments in and uses of authorial character. In the nineteenth century's deployment of moral character as a signal element in the marketing, reception, and canonization of books and authors, we see how biography both vexed and created literary status, adumbrating our own preoccupations while demonstrating how malleable-and how recuperable-moral authority could be.
Keane suggests that Paine read a version ofRaynal's text printed by Bell βin Philadelphia in the autumn of 1781β (Tom Paine, 230). While Bell did eventually reprint the book twice in 1782, he did so only after Paine had already ...
livok (1'hiladelphia: American Sunday -School Union, 1858); idem, Ships in the Mist, and Other Stories (Boston: Hoyt, I860); idem, Leila among the Mountains (Boston: Hoyt, 1861). Little is known about Hoyt; see David Dzwonkoski, ...
This volume of essays reconfigures the reception history of Milton and his works by bringing to the fore women reading, writing, and rewriting Milton, bringing together in conversation a range of voices from diverse historical, cultural, ...
The Poetics of Insecurity explores how American literary writers forged a cultural imaginary in which insecurity acts as an enlivening force.
Offers a novel reading of the abolitionist writer's plagiarism, arguing the act was a means of capitalizing on the energies of mass-cultural entertainments popularized by showmen such as P. T. Barnum.
... 123, 203; sentimental semiotics and desire, 184β86; transcendentalism, 32, 112, 187; use of metonymy, 18, 32; Williams on, 187; women as resistant readers of, 202. See also Passion-Flowers collection (Howe) Howe, Samuel Gridley, ...
17. Democratic Rhetoric in the Era of Neoliberalism - Phyllis Mentzell Ryder -- Afterword: Lessons Learned - Deborah Brandt -- References -- About the Authors -- Index
The ethical question is the question of our times. Within critical theory, it has focused on the act of reading. This original and courageous study reverses the terms of inquiry to analyse the ethical composition of the act of writing.
Trotsky, Leon, 270 Trouble with Harry, The, 234 Truffaut, Francois, 246, 267, 271 Trumpener, Katie, 363n20 Turner, Lana, 151 Turner, Ted, 306 Twelve O'Clock High, 8, 139 Twentieth-Century Fox, 3, 5, 8,13, 59, 115,154, 157, 245, 246, ...
This is the first book in English to offer an in-depth investigation into the parody exception in copyright law, and comments on industry practices linked to this form of creative endeavours.