`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"' John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In addition, this collection makes available some of Polidori's fascinating lesser-known works such as his medical thesis on nightmares, his essay on the death penalty, his poetry and diary.
Includes John Polidori's genre-defining "The Vampyre," Edward Bulwer-Lytton's "Monos and Daimonos," Clemence Housman's "The Werewolf," plus 4 anonymous tales, including "The Curse" and "The Victim."
With a practice in Berners Street, just ashort walk from the Polidori home, Gooch enjoyed considerable prosperity thanks to the overflowof trade from his patron, Sir William Knighton, physician to the Prince Regent.
"A lady? decidedly. Fast? perhaps. Original? undoubtedly. Worth knowing? rather." Daring and dynamic, the 'new woman' came to represent the very spirit of the age.
A deathless creature with an insatiable appetite for blood, Varney is the antihero of this epic, which predates Dracula and establishes many of the conventions associated with vampirism.Volume 1 of 2.
This dark psychological fantasy is more than a moral tale.
Presents thirty-three horror stories about such topics as warped technology, revengeful ants, sadistic gym teachers, and a brother's surprise for his sister's vampire friends.
come without bringing its accustomed worshipper: then another would arrive, and present him tottering on his cane, and turning his drenched eyes in vain towards the symbols of his redemption; and on the next, a new face would be seen in ...
This edition features a new introduction as well as extensive notes and a guide to literary allusions.
Cyprien Bérard's The Vampire Lord Ruthwen (1820) was the first sequel to continue John-William Polidori's 1819 ground-breaking story that had introduced the character of the handsome, but evil Vampire lord.