John Polidori's classic tale "The Vampyre" (1819), was a product of the same ghost-story competition that produced Mary Shelley's FRANKENSTEIN. The present volume selects thirteen other tales of mystery and the macabre, while the Introduction surveys the genesis and influence of "The Vampyre" and its central themes and techniques.
Includes John Polidori's genre-defining "The Vampyre," Edward Bulwer-Lytton's "Monos and Daimonos," Clemence Housman's "The Werewolf," plus 4 anonymous tales, including "The Curse" and "The Victim."
In addition, this collection makes available some of Polidori's fascinating lesser-known works such as his medical thesis on nightmares, his essay on the death penalty, his poetry and diary.
With a practice in Berners Street, just ashort walk from the Polidori home, Gooch enjoyed considerable prosperity thanks to the overflowof trade from his patron, Sir William Knighton, physician to the Prince Regent.
This collection of tales would make for a worthy addition to the shelves of fans of the horrifying and macabre. This edition includes specially-commissioned biographies of each of the authors.
The companion book provides detailed card meanings, creative exercises, original spreads, and instructions for creating your own Vampyre character. Includes a 78-card deck and a 312-page book.
This dark psychological fantasy is more than a moral tale.
come without bringing its accustomed worshipper: then another would arrive, and present him tottering on his cane, and turning his drenched eyes in vain towards the symbols of his redemption; and on the next, a new face would be seen in ...
William Martin Leake, Travels in Northern Greece, 4 vols (London: J. Rodwell, 1835), iv. ... Gentleman's Magazine, 58 (1785), 804: see William Watson, 'An Account of a Disease Occasioned by Transplanting a Tooth', ...
They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over thirty of Conan Doyle's best "Gothic Tales," in a scholarly edition for the first time.
When Anthony Pennell received the Baroness's invitation, penned in the delicate foreign handwriting of Harriet Brandt, he accepted it at once.