This book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis--looking back to ancestors and head to progeny--while the Russians emphasized the lateral, synchronic axis--family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative kinship constructions. Idealizing the domestic sphere and emphasizing family continuity, the English novel made family a conservative force, while Russian novels approached it as a backward site of patriarchal tyranny in desperate need of reform. Russian family plots offered a progressive, liberalizing push toward new, nontraditional family constructions. The book's comparative approach calls for a re-evaluation of reigning theories of the novel, theories that are based on the linear English family model and cannot accommodate the more complex, Russian alternative. It reveals where these theories fall short, explains the reasons for their shortcomings, and offers a new way of conceptualizing family's role in shaping the nineteenth-century novel. Classics from Dickens, Eliot, and Trollope, to Dostoevsky, Tolstoy, and Turgenev are contextualized in the broader literary landscape of their day, and Russia's great women writers regain their rightful place alongside their male counterparts as the book draws together family history, literary analysis, and novel theory.
A literary conference in Venice brings together a host of individuals whose romantic involvements with Lady Widmerpool endanger their lives.
书名通译:福赛特家史
Philippa Woodcock lives a solitary life isolated from the world on her little farm within sight of Slieve Bloom Mountains.
By the same author FORGOTTEN LAUGHTER A WEEK IN WINTER WINNING THROUGH HOLDING ON LOOKING FORWARD SECOND TIME AROUND STARTING OVER HATTIE'S MILL THE COURTYARD THEA'S PARROT THOSE WHO SERVE THE DIPPER THE CHILDREN'S HOUR THE GOLDEN CUP ...
Ice Cream in Winter
Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered ...
Menagerie