"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
The book includes detailed discussions of recent films and stage productions, and sets Shakespeare performances alongside other works of contemporary drama an theatre."--Jacket.
In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original ...
Surveys film adaptations of over 300 novels, including summarizations of plots, major characters and themes, comparisons between movie and novel, etc.
Kahn's soldiery carried carbines — the play's movement forward in time could be calibrated by the advance in weaponry and by Margaret's nicely contrasting pregnancy and motherhood . But Kahn avoided the percussive anachronisms that tend ...
COLLECTION « LES CAHIERS DES PARALITTÉRATURES » ! • CAHIER 1 : LES PARALITTÉRATURES : GENRES Actes du 1er colloque des Paralittératures de Chaudfontaine - 1987 - 206 p - ISBN 2-87130-016 - X • CAHIER 2 : LE ROMAN D'AVENTURES Actes du 2e ...
Until 1979 , the only classic serials to be broadcast regularly on American television were made by the BBC or ITV ... see Robert Giddings and Keith Selby , The Classic Serial on Television and Radio ( Basingstoke : Palgrave , 2001 ) .
Table 38.1 Continued Total Percentage 1937 Plays 12 16 Novels 11 14 Short stories 5 7 Originals 48 63 1938 Plays 10 14 Novels 13 18 Short stories 2 3 ... We can highlight these changes by comparing 1931–1935 to 1936–1940 (Table 38.2).
"This comprehensive history of cinematic adaptations of French literature analyses the reworking of a key body of writing from the silent era to the present"--
Shakespeare and the Force of Modern Performance asks a central theoretical question in the study of drama: what is the relationship between the dramatic text and the meanings of performance?
Marvel: Creating the Cinematic Universe