This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.
This collection of forty original essays reflects on the history of adaptation studies, surveys the current state of the field, and maps out possible futures that mobilise its ability to bring together theorists and practitioners in ...
The essays in this volume seek to expose the scandals of adaptation.
... Minnie and Horace] Dancing [Dolly, Cornelius, Barnaby, Irene, Minnie and Ensemble] Before The Parade Passes By [Dolly and Ensemble] Finale Act 1: Before The Parade Passes By [Dolly] Act 2 Entr'acte Elegance [Cornelius, Barnaby, ...
Originally, the sum was split 50/50, but after 1942, Costello received 60 percent of the sum. Scott Allen Nollen, Abbott and Costello on the Home Front: A Critical Study of the Wartime Films (Jefferson, NC: McFarland, 2009), 49.
Well-known paper artist Su Blackwell has developed three book sculptures based on Alice in Wonderland from editions that feature Tenniel's illustrations. Each depicts a recognizable scene using familiar illustrations but with variation.
... on Twin Peaks: The Return and “'Came Back Haunted': Global Horror Film Conventions in The Haunting of Hill House” from The Streaming of Hill House. Simon Brown is Associate Professor of Film and Television at Kingston University.
Many chapters examine specific screen adaptations in depth, while others deal with broad issues such as realism or the politics of the adaptation in works such as Li'l Abner and Finian's Rainbow.
... stories from Nathaniel Hawthorne's The House of the Seven Gables (1949) to F. Scott Fitzgerald's The Last Tycoon (1949). ... Robert E. Sherwood's Abe Lincoln in Illinois (1950), Booth Tarkington's The Magnificent Ambersons (1950), ...
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer.
The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective.