With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
13 The metaphorical motif of the wasteland in its transition through the works of Eliot and of Ford is part of the subject of Radell's study, Affirmation in a Moral Wasteland: A Comparison of.
A new edition of Paul Fussell's literate, literary, and illuminating account of the Great War, now a classic text of literary and cultural criticism.
Friedman, Psyche Reborn, 2. 45. Friedman, Psyche Reborn, 9. 46. Friedman, Penelope's Web, 345–46. 47. Dianne Chisholm, H. D.'s Freudian Poetics (Ithaca: Cornell University Press, 1992), 160. 48. “Hilda Doolittle, 'H.D.' (1886–1961),” ...
Drawing upon medical journals, newspapers, propaganda, military histories, and other writings of the day, 'Modernism, History and the First World War' reads such writers as Woolf, HD, Ford, Faulkner, Kipling, and Lawrence alongside fiction ...
... Great War and the Language of Modernism sees reflected in the syntactical structures of London modernists such as Woolf, Eliot and Pound the impact of the kind of rhetoric that political liberalism deployed to legitimize the war.
minority language. The characteristics of 'minor literature' are 'the deterritorialization of language, the connection of the individual to a political immediacy, and the collective assemblage of enunciation' (ibid.:180).
This book shows how British authors used landscape description to shape the meaning of the First World War.
Named "One of the 100 best books ever published in Canada" (The Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.
Modernism, Ireland and Civil War. Cambridge: Cambridge UP, 2009. Print. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1991. Print. Auden, W. H. “In Memory of W. B. Yeats.
a Cole , Modernism , Male Friendship , and the First World War ( Cambridge : Cambridge University Press , 2003 ) ; and Vincent Sherry , The Great War and the Language of Modernism ( New York : Oxford University Press , 2003 ) . 22.