This book offers a radically new account of the rich and varied culture of contemporary Spain. It focuses on three intellectuals who chronicle contemporary life (including journalist Francisco Umbral); three filmmakers who engage with the many nationalisms of the Spanish state (Victor Erice, Bigas Luna, and Julio Medem); and three crucial topics that are expressed in many media (the replaying of history, the rise and fall of the city, and the practice of everyday life). Ranging from the ethnographic photography of Cristina García Rodero to the high tech architecture of Santiago Calatrava and from the hyperrealist painting of Antonio López to the neo-flamenco dance of Joaquín Cortés, this book is also the first to draw on theorists of the intellectual field, the production of space, and the arts of bricolage (Pierre Bourdieu, Henri Lefebvre, and Michel de Certeau). Refuting the charge that contemporary Spanish culture is trivial or superficial, this book argues that it is fully engaged in the aesthetic and historical project of modernity.
Peter G. Christensen , “ Vintila Horia's Treatment of Ovid's Religious Conversion in Dieu est né en exil , ” Journal of the American Romanian Academy of Arts and Sciences 20 ( 1995 ) : 171–85 , provides a good survey of the critical and ...
The best gloss on Eliot's citational strategy here may be found in a complaint by F. R. Leavis: “Not only does the modern dissipate himself upon so much more reading of all kinds: the task of acquiring discrimination is much more ...
... will become the guest of Markham and Bror Blixen on the safari she describes in detail in West With the Night. Whose “top” was she, whose “bottom” (sexually)? Did she “monkey,” that is, “meddle, trifle, fool” with other men, ...
“A Portrait of an Artist as a Cultural Icon: Edward Steichen, Vanity Fair, and Willa Cather.” In Reynolds, Willa Cather as Cultural Icon, 46–67. ... The Kingdom of Art: Willa Cather's First Principles and Critical Statements, 1893–1896.
The book will appeal to all readers interested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.
Hence it may be read as a sequel to A Voyage to Pagany , wherein a copy of it retrospectively figures as “ a keepsake . ” Its final emphasis , on grounds of immediacy rather than patriotism , is “ Here not there .
Music, Aesthetics, Politics Julia Simon ... See also group experience of music call and response in blues music, 174, 177–78, 185 creation of group response as goal of music, 38–39 to Le devin du village, 131–32, 133–34; ...
Tolkien among the Moderns Ralph C. Wood J.R.R. Tolkien is neither an escapist nor an antiquarian writer. On the contrary, his work addresses the most clamant questions of our age. This collection of essays is devoted to the proposition ...
Precisely on account of its paradoxical nature, however, this approach may serve to open up interesting prospects for analysis regarding the risks to democratic liberty incubated within modern society.
Gillis, Adolph. Ludwig Lewisohn: The Artist and His Message. New York: Duffield and Green, 1933. Glicksberg, Charles. "Kenneth Burke: The Critic's Critic." South Atlantic Quarterly 36 (1937): 74-84. Grattan, Hartley, ed.