The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis. Through thorough engagement with these approaches, the chapters demonstrate how dance on the popular screen might be read and considered through bodies and choreographies in moving media. Questions the contributors consider include: How do dance and choreography function within the filmic apparatus? What types of bodies are associated with specific dances and how does this affect how dance(s) is/are perceived in the everyday? How do the dancing bodies on screen negotiate power, access, and agency? How are multiple choreographies of identity (e.g., race, class, gender, sexuality, and nation) set in motion through the narrative, dancing bodies, and/or dance style? What types of corporeal labors (dance training, choreographic skill, rehearsal, the constructed notion of "natural talent") are represented or ignored? What role does a specific film have in the genealogy of Hollywood dance film? How does the Hollywood dance film inform how dance operates in making cultural meanings? Whether looking at Bill "Bojangles" Robinson's tap steps in Stormy Weather, or Baby's leap into Johnny Castle's arms in Dirty Dancing, or even Neo's backwards bend in The Matrix, the book's arguments offer powerful new scholarship on dance in the popular screen.
... chasing: a rumor, a mirage, a fiction? A threat? To what? Dancing? Winning? Occupying the same space and perhaps touching? One might argue that they were not even chasing Reed (although I am sure he would beg to differ) or his audacity ...
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance.
The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.
This text presents keywords and critical terms that deepen analysis and interpretation of the musical.
Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community.
Originally, the sum was split 50/50, but after 1942, Costello received 60 percent of the sum. Scott Allen Nollen, Abbott and Costello on the Home Front: A Critical Study of the Wartime Films (Jefferson, NC: McFarland, 2009), 49.
Sites. and. Fluid. Bodies. Video dance and hybridity Video dance is a creative exploration of the relationship between dance and television. It is a fusion or amalgamation of two distinct sites in which the codes and conventions of each ...
The Autumn of Italian Opera from Verismo to Modernism, 1890–1915. Boston: Northeastern University Press. Mauclair, Camille. 1904. “La Fin du wagnérisme. ” La Revue (February 15). Meyer, Stephen C. 2003. Carl Maria von Weber and the ...
These performances activated complex webs of prosthetic relationships. The notion of “prosthesis” has along and complicated history in critical discourse,8 but in this context, Mitchell and Snyder's theory of “narrative prosthesis” ...
This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.