Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.
Accompanying a major traveling exhibition, the book is also timed to coincide with the 400th anniversary of Henry Hudson’s first voyage up the Hudson River.
The Hudson River began to figure prominently in the artistic consciousness of the nineteenth century when painter Thomas Cole journeyed up its waters in the summer of 1825. The canvases...
Ireland; died 1H78, San Francisco, California James Hamilton was born near Belfast, Ireland, of British artists such as John Constable and J.M.W. Turner, Scottish parents who immigrated to Philadelphia in whose influence can be seen in ...
"The site is the result of a careful study of the river-banks, and commands so many views of varied beauty, that all the glories of the Hudson may be said...
This well-chosen collection reproduces 24 of their finest paintings including The Clove, Catskills, and Landscape Scene from the Last of the Mohicans, Thomas Cole; Kindred Spirits, Asher Brown Durand; Rocky Gorge, George Hetzel; Seal Rock, ...
In addition to color images from the National Park Service collections, this book also provides brief overviews of some of the site collections, information on artists, and the art collectors.
The Catskill Mountain House
Published to accompany a major transatlantic exhibition, a tribute to U.S. landscape painting features more than one hundred works by the Hudson River School artists, complemented by three gatefolds, artist biographies, and essays on ...
Austin: University of Texas, I970. ... 3 I I—2.o. Cooper-Hewitt Museum Cooper-Hewitt Museum, Smithsonian lnstitution's National Museum of Design, New York City ... Ferber and Gerdts I 9 8 5 Linda S. Ferber and William H. Gerdts.
Atlantic Crossings Elizabeth Mankin Kornhauser, Tim Barringer. A Catalogue of Works by Artists Born by 1815 (Princeton University Press with the Metropolitan Museum of Art, 1994), vol. 1, A Catalogue of Works by Artists Born by 1815, ...