Up from the Cradle of Jazz is an intimate history of New Orleans music during the last 45 years. It describes the piano playing of Fats Domino, Professor Longhair, James Booker, Huey Piano Smith and Dr John; the singing of Irma Thomas, Little Richard, Aaron Neville and Lee Dorsey; the compositions and performances of Allen Toussaint, Guitar Slim, Wynton and Branford Marsalis, The Meters and The Neville Brothers. From smoky bars and nightclubs to the open air revelry of Mardi Gras, this work aims to be the definitive story of the music of contemporary New Orleans.
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans.
Jason Berry , Jonathan Foose , and Tad Jones , Up from the Cradle of Jazz ( Athens : University of Georgia Press , 1986 ) , 210 , 218 . 11. Quoted in Helen Joy Mayhew , “ New Orleans Black Musical Culture : Tradition and the Individual ...
... music.95 Between 1917 and 1929, the successes of the record, radio, and film industries; the development and expansion of urban culture; the careers of popular jazz performers such as Rudy Vallee and Paul Whiteman; and the eventual ...
Time Passages: Collective Memory and American Popular Culture
I Hear You Knockin': The Sound of New Orleans Rhythm and Blues
Carey, Benedict. “Storm Will Have a Long-Term Emotional Effect on Some Survivors, Experts Say.” New York Times, September 4, 2005, p. 21. Carter, William. Preservation Hall: Music from the Heart. New York: W.W. Norton, 1991.
The musical journey chronicled in this book is an interesting, truthful and in some instances a very funny revelation of events, places and people encountered.
In 1716, Bienville had orders to build a fort securing Crozat's deerskin warehouse at the tan-colored bluffs of Natchez, 250 miles upriver from the Gulf, furthering trade with Indians. Natchez, with its fertile prairie, was named for ...
Members of the combo, all pictured in mug shot, were Mays, a former sideman in Al Donahue's dance band, piano; Ralph (Red) Clemson, trumpet; Jimmy James, tenor sax; Gil Stancourt, trombone; Frank Marcy, bass; and Larry Callahan, drums.
This autobiography of legendary New Orleans piano man Dr. John--"the hippest, fonkiest cat to come down the musical turnpike" (Library Journal)--is one of the most original, colorful, and acclaimed music books ever. Photos.