"Music is the memory of New Orleans. For all of the corruption, poverty and violence, the music is elemental, a gorgeous collective chorus to the best instincts of the human experiment. We know that "Teh City Where Jazz Began" lives on borrowed time, facing huge environmental odds in the age of climate change, a city that could be buried by one titanic flood or crippled by some long-running mayor or governor. Floods and epic storms are in our past and in our future; yet for close to three centuries the city as a human essence has prevailed. The world can be an unforgiving place, yet this maddening, charm-dripping, tragicomic town at the bottom of America registers a life force, like the Mardi Gras Indian, that won't bow down. There is abiding comfort in the words of Harold Battiste, a guiding force of the heritage jazz that came out of the little clubs in the 1950s near the Magnolia Street housing project: "New Orleans, the city, has always been the focus. Musicians come and go, and their creations always seem directed at the city. Because after all is said and done, New Orleans is the Star."--Inside cover.
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans.
Jason Berry , Jonathan Foose , and Tad Jones , Up from the Cradle of Jazz ( Athens : University of Georgia Press , 1986 ) , 210 , 218 . 11. Quoted in Helen Joy Mayhew , “ New Orleans Black Musical Culture : Tradition and the Individual ...
Rock 'n' roll defined the last half of the twentieth century, and while many think of Elvis Presley as the genre's driving force, the truth is that Fats Domino, whose...
"Mother-in-Law" became the first hit by a New Orleans artist to achieve this feat?to rule black and white airwaves alike. Ernie K-Doe was only twenty-five years old, and his reign was just beginning.
And then one day I saw Sally at the Hall. She was standing in the carriageway and holding a little girl by the hand. It was her granddaughter. I hadn't laid eyes on Sally in nearly thirty years ...
lyle saxoN 209 210 Sketch based on Chance Harvey, The Life and Selected Letters ofLyle Saxon (Pelican, 2003), and Anthony Stanonis, “'Always in Costume and Mask': Lyle Saxon and New Orleans Tourism,” Louisiana History 42, no.
Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.
The book also features unpublished Ory compositions, photographs, and a selected discography of his most significant recordings.
Time Passages: Collective Memory and American Popular Culture
At the Jazz Band Ball: Sixty Years on the Jazz Scene is an invaluable archive of not only the musical influence of America’s only indigenous music on the world, but its enormous impact as an engine for social change as well.