"a simple yet excellent overview of the multilayered path of audience research, tracing its evolution over the last century..." European Journal of Communication *How has the concept of 'the audience' changed over the past 50 years? *How do audiences become producers and not just consumers of media texts? *How are new media affecting the ways in which audiences are researched? The audience has been a central concept in both in media and cultural studies for some considerable time, not least because there seems little point exploring forms of increasingly global communication in terms of their content if the targets of media messages are not also the focus of study. This book ranges across a wide literature, taking both a chronological as well as thematic approach, in order to explore the ways in which the audience, as an analytical concept has changed, as well as examining the relationships which audiences have with texts and the ways in which they exert their power as consumers. We also look at the political economy of audiences and the ways in which they are 'delivered' to advertisers as well as attending to the ratings war being waged by broadcasters and the development of narrowcasting and niche audiences. Finally, the book looks ahead to the future of audience research, suggesting that new genres such as 'reality TV' and new ICTs such as the internet, are already revolutionising the way in which research with audiences is taking place in the 21st century, not least because of the level of interactivity enabled by new media.
Jansen, S. C. (2008). Walter Lippmann, straw man of communication research. In D. W. Park & J. Pooley (Eds.), The history of media and communication research: Contested memories (pp. 71–112). New York, NY: Peter Lang. Jowett, G. (1976).
The goal of the text is for students to be able to think critically about the role and status of media audiences in contemporary society, reflecting on their relative power in relation to institutional media producers.
These projects showed that asking audience members to engage in a process which requires some time and reflection ... and media researchers were starting to see what happened when “audiences” were given the opportunities and tools to ...
The book discusses reactions of audiences to many internationally known television programmes including The Flintstones, The Jetsons, Street Fighter, Mighty Morphin Power Rangers, X-Men, Sesame Street, Dallas, Star Trek, The Cosby Show, ...
7.4.3 Data collection We may use a combination of research methods ( techniques ) such as participant observation , group discussions ( focus groups ) and in - depth ... Or do they have to make bookings to use the computer facilities ?
An important aspect of this process is the way that the structures and practices of the virtual audience formation are ... monomaniacal alienation characteristic of the old fashioned geek into a means of 200 Media Audiences and Identity.
"Media, Audiences, Effects" teaches students how to evaluate media effects research and better understand the role media play in our everyday lives. This text introduces readers to more...
Visit the Understanding Media series microsite. â¬SThis book provides a comprehensive, up-to-date overview of research and debate about media audiences, written by some of the leading scholars in the field....
The goal of the text is for students to be able to think critically about the role and status of media audiences in contemporary society, reflecting on their relative power in relation to institutional media producers."--
Among other features, this text: * describes the processes associated with human information processing; * presents an analysis of the principles associated with social learning in children and adults and explores the possibility that media ...