Picking up where Louis Armstrong's New Orleans left off, this biographical account of the legendary jazz trumpet virtuoso highlights the historical role Armstrong played in the creation of modern music and also his encounters with racism.
Jasen, David, and Gene Jones. 2000. That American Rag: The Story ofRagtimefrom Coast to Coast. New York: Schirmer. Johnson, Jerah. 1992. “Colonial New Orleans: A Fragment of the Eighteenth-Century French Ethos.
This unparalleled collection of Louis Armstrong's candid writings reveals a side of the artist not many people knew.
Hardin Armstrong, who plays piano on this recording.55 Though he expressed great pride about his New Orleans roots, ... 57 In his study of migration in America, James Gregory explains how such hazing practices were not limited to ...
Nearly three decades after his death, Louis Armstrong is still recognized as one of the greatest performers and musicians of our time. Drawing on the rich resources of the Louis...
And while McCoy Tyner spent the 1960s redefining accompaniment with his power and speed, pianists like Bill Evans and Paul Bley were developing the piano as a trio instrument with a lighter touch and a new balance and interaction with ...
The book confronts the current jazz discourse and shows how poets and novelists can be placed in it--often with problematic results.
This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
From Aargh! To Zap! Havey Kurtzman's Visual History of the Comics. New York: Prentice Hall Press. !9 9 1. Lont, John A., ed. 77ic International Journal of Comic Art. Drexel Hill, Penn., 1999-preseni. M aeder, J ay.
Glamour's allure can also prove fatal. Glamour is the tragic in soft focus, an illusion no less powerful for its being removed—if only because glamour occurs at a remove. To call glamour phony is like saying stage sets aren't real; ...