Finalist for the 2015 Pulitzer Prize in Biography. "Profoundly evocative and altogether admirable…The writing and detail are so brilliant that I found the volume revelatory." —Tim Page, Washington Post Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
Jasen, David, and Gene Jones. 2000. That American Rag: The Story ofRagtimefrom Coast to Coast. New York: Schirmer. Johnson, Jerah. 1992. “Colonial New Orleans: A Fragment of the Eighteenth-Century French Ethos.
In Louis Armstrong's Hot Five and Hot Seven Recordings, Brian Harker strikes a unique balance between 1920s views of jazz and those of today.
The book also features unpublished Ory compositions, photographs, and a selected discography of his most significant recordings.
Though Jones performed for a conservative audience , Flash noticed that Jones was more accurate in mixing records than Kool Herc . Also , Jones was known for his extended play concept . Commenting on “ the way Pete would connect the ...
This unparalleled collection of Louis Armstrong's candid writings reveals a side of the artist not many people knew.
Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.
Hardin Armstrong, who plays piano on this recording.55 Though he expressed great pride about his New Orleans roots, ... 57 In his study of migration in America, James Gregory explains how such hazing practices were not limited to ...
The book confronts the current jazz discourse and shows how poets and novelists can be placed in it--often with problematic results.
The fascinating story of how creative cooperation inspired two of the world's most celebrated musical acts.
In this book, an eminent cultural historian provides the answer and offers a new way of understanding jazz.