Rev. ed. of: Modern Irish drama / edited by John P. Harrington. 1st ed. c1991.
Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater.
Modern and Contemporary Irish Drama: Backgrounds and Criticism
had revealed the extent of his anxiety, hysterically investing Joan with the power of bringing down civilisation: Warwick: What can you expect? A beggar on horseback! Her head is turned. Cauchon: Who has turned it? The devil.
The development of contemporary drama in the 1980s into a depiction of a new Irish reality has contributed to a new Irish drama aesthetic, sparked originally by plays such as...
This book includes information on the most recent and youngest playwrights working today at the Abbey, Druid, and Lyric Theatres.
In Synge and the Making of Modern Irish Drama, Anthony Roche draws on twenty-five years of engagement with Synge's plays to present ten chapters on the unfolding of a double narrative.
Kearney and Headrick strive to shift the spotlight with Irish Women Dramatists. The plays collected in this volume represent a cross-section of the excellent dramatic output of Irish women writing in the twentieth century.
Based on essays originally presented at a symposium entitled "Nationalism and a national theatre: 100 years of Irish drama" convened at Indiana University, May 26-29, 1999.
Ashton Nichols has argued that Shelley's fusion of sexual and social radicalism was generative for Morris, who replicated it in his influential 1890 utopian novel News from Nowhere (Nichols, 'Liberationist Sexuality', 21–5).
By comparing the theatre of Samuel Beckett to more culturally specific Irish plays, the book establishes a greater international and theatrically experimental context for the field than has been recognised....