The first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s. Drawing on original archival research, the study reconstructs the engagement of Yeats, Shaw, Wilde, Synge, O'Casey, and Beckett with socialists and sexual radicals like Percy Bysshe Shelley, William Morris, Edward Carpenter, Florence Farr, Bertolt Brecht, and Lorraine Hansberry.
Allen, Nicholas, Modernism, Ireland and Civil War (Cambridge: Cambridge UP, 2009). Anand, Mulk Raj, The Bubble: A Novel (Liverpool: Lucas Publications, 1987). Aragon, L., Authors Take Sides on the Spanish War (London: Left Review, ...
This book is an anthology focused on Shaw’s efforts, literary and political, that worked toward a modernizing Ireland.
Critically, these stories reveal new findings about the early military skirmishes in County Louth by republican figures such as Seán MacEntee and Frank Aiken; the controversial sectarian massacre at Altnaveigh; and how the Civil War made a ...
Edinburgh Critical Studies in Modernism, Drama and Performance Series Editor: Olga Taxidou Editorial Board: Penny Farfan ... Theatre, Cinema Anthony Paraskeva Irish Drama and the Other Revolutions: Irish Playwrights, Sexual Politics, ...
Edinburgh Critical Studies in Modernism, Drama and Performance Series Editor: Olga Taxidou Editorial Board: Penny Farfan ... Theatre, Cinema Anthony Paraskeva Irish Drama and the Other Revolutions: Irish Playwrights, Sexual Politics, ...
Carl Richard Mueller. San Francisco: Chandler Pub.Co., 1965. Harvard Theater Collection, Playbills. Hawkes, Bea. A Walk Round old Whitchurch. Andover: Figuredene and Sunrise Wessex Co., 1981. Hayter, Alethea.
From a Letter of W.G. Fay to W.B. Yeats, in Fay Ms. 13,068, National Library of Ireland, cited in Robert Hogan and James Kilroy, The Modern Irish Drama, Vol. 2: Laying the Foundations, 1902–1904 (Dublin: Dolmen Press; New Jersey: ...
Born in 1877, Barker began acting professionally when he was 13 years old. His first engagement with the Stage Society was as Erik Bratsberg in Ibsen's The League of Youth (1869) on 25 February 1900. Over four decades later, ...
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition.
One of the most important playwrights of the Irish Renaissance, John Millington Synge is receiving renewed attention as his works are reread in light of the political and cultural contexts...