What is it like to work in the media? Are media jobs more 'creative' than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies. Through its close analysis of key issues - such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realization, emotional and affective labour, self-exploitation, and how possible it might be to produce 'good work' Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural change. In addition, the book undertakes an extensive exploration of the creative industries, spanning numerous sectors including television, music and journalism. This book provides a comprehensive and accessible account of life in the creative industries in the twenty-first century. It is a major piece of research and a valuable study aid for both undergraduate and postgraduate students of subjects including business and management studies, sociology of work, sociology of culture, and media and communications.
Key benefits: - Grasp the realities of work behind the industry façade - Evaluate real-life case-studies through a flexible, critical mindset - Tailor your management decisions to the needs of creative staff
The volume is at the forefront of the academic and policy debates on effective labour regulation, offering innovative approaches to research and policy.
The terms creative labour and creative sectors are, like knowledge work and knowledge intensive sectors, vague and somewhat problematic since creativity – like knowledge – is an integrated part (albeit to differing degrees) in all work ...
Featuring contributions from leading academics in international fields, the collection illuminates the gender-specific issues that mark the creative sector.
The contributors to this volume also explore current transformations and future(s) of work within the cultural and creative industries as they move into an uncertain future.
With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity. “Every case study is ...
Creative labour is in flux and furthermore is connected and influenced by forms of labour in other sectors. There are many different definitions and traditions of creative labour (McKinley and Smith 2009; Hesmondhalgh and Baker 2011; ...
In this exciting new book Angela McRobbie charts the ‘euphoric’ moment of the new creative economy, as it rose to prominence in the UK during the Blair years, and considers it from the perspective of contemporary experience of economic ...
This book was originally published as a special issue of International Journal of Cultural Policy.
risk-bearing, non-unionised, self-exploiting, always-on flexibly employed worker in the creative industries has been positioned as a role model of contemporary capitalism'. It is wildly acknowledged that the British New Labour ...