Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series
'Music'. to. Cultural. Rights. Elizabeth Burns Coleman and Rosemary J. Coombe with Fiona MacArailt Introduction Issues involving the appropriation of intangible cultural heritage have attracted new attention in the last decade, ...
We want to take the essence of the material and revisit this amazing planet of the apes.30 Burton's assessment of the ape story as “mythology” has a two-fold effect. It serves as a marker of distancing through his attribution to it of ...
Mrs. Butterworth and Aunt Jemima are invited to prepare Sunday brunch.25 In the context of descriptive appropriation , cultural products are a material shorthand for the source communities themselves . The strong association between ...
This book was a really informative and insightful collection of essays over cultural appropriation in our society today, mostly focusing on America's appropriation and use of Native American culture specifically more or less.
An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson.
McCarthy, Brooks, Lowell, and Zakaras 2001. 33. Couch 1983. 34. Zolberg 1981; Tomkins 1970; Gersuny and Rosengren 1973. 35. DiMaggio 1983: 158. 36. Peterson 1986: 165. 37. Peterson 1986: 165. 38. Braden 2009:446; Alexander 1996. 39.
"--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and ...
This book radically rethinks the philosophical basis of copyright in the arts.
The book examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called "native experiences.
With sensitivity and rigorous empirical research, this groundbreaking work brings together a team of leading philosophers and experts in the social sciences to examine the ethics of cultural appropriation in its various guises: the arts and ...