The Florentine Academy and the Early Modern State R^ constitutes a genealogy of the academic, confraternal, and guild practices of artists in Florence, from the mid-sixteenth to the mid-eighteenth centuries. It examines the institution's everyday practices, for which its daily transactions, expenses, sources of income, and seemingly inconsequential rulings provides an index, along with its official statutes, public mandates, and "extraordinary" proceedings, many of which have remained unpublished until now. Together with theoretical, critical and historiographical primary sources, these documents provide a picture of the operations and work of the Florentine Academy and the processes that governed the gestures, dictated the behaviors, and shaped the thought of those who moved within its walls. Looking diachronically at identity formation within a particular institution of the Medici state, this study also examines the connections between the Academy and an emergent public sphere within which modern bourgeois subjectivity took shape.
19 Karin Ediz Barzman, The Florentine Academy and the Early Modern State. The Discipline of Disegno (Cambridge and New York: Cambridge University Press, 2000), pp. 23–35; Henk Th. Van Veen, Cosimo I de' Medici and His ...
1582) of the Bolognese Carraci brothers being one of the best examples.17 Despite these early Italian forerunners of ... 15; Karen-Edis-Barzman, The Florentine Academy and the Early Modern State: the Discipline of Disegno (Cambridge, ...
Arcangeli, Alberto, “I disegni di Baccio del Bianco nelle collezioni fiorentine,” (Tesi di laurea, Florence: ... The Florentine Academy and the Early Modern State: The Discipline of Disegno (New York, Cambridge University Press 2000).
The Florentine Academy and the Early Modern State: The Discipline of Disegno. Cambridge: Cambridge University Press, 2000. Bell, Janis C. “Cassiano dal Pozzo's copy of the Zaccolini Manuscripts.” Journal of the Warburg and Courtauld ...
Carrying his own head in the Ninth Pouch of the Eighth Circle of Hell, Bertrand keeps company with other sowers of conflict, including the prophet Mohammed, one of Dante's interlocutors on this part in his journey, and Mohammed's ...
... 1984), Paola Barocchi, Studi Vasariani (Turin: Einaudi, 1984), Karen-edis Barzman, The Florentine Academy and the Early Modern State: The Discipline of Disegno (Cambridge: Cambridge University Press, 2000), Rosanna Bettarini, ...
Although Rome in particular would continue to serve as a major venue for artists to develop and execute major projects, artists would remain in Florence or return there if projects were offered. Cosimo's own wedding festivities were an ...
2 On the confraternal school or 'Confraternity and Academy of Design' (Compagnia ed Accademia del Disegno), see Barzman, The Florentine Academy and the Early Modern State, in particular the Introduction, which includes a critical review ...
“Cosimo I and the Foundation ofTapestry Production in Florence. ... Florence: Leo S. Olschki, 1983, 3: 899–924. Arcangeli, Letizia. ... The Florentine Academy and the Early Modern State: The Discipline of Disegno.
52 On the curriculum of the Accademia del Disegno, essentially the first academy of art in Italy, see Karen-edis Barzman, The Florentine Academy and the Early Modern State: The Discipline of Disegno (Cambridge: Cambridge University ...