This book shows how the concept of 'religion' and 'the religions' arose out of controversies in seventeenth- and eighteenth-century England. The birth of 'the religions', conceived to be sets of beliefs and practices, enabled the establishment of a new science of religion in which the various 'religions' were studied and impartially compared.
See:
10David Hollinger, “The Enlightenment and the Genealogy of Cultural Conflict in the United States,” in What's Left of Enlightenment? A Postmodern Question, ed. Keith Michael Baker and Peter Hanns Reill (Stanford, 2001), 18, 15 11Taylor, ...
The central claim of this book is that the immense ideological appeal of the traditional birth-of-modernity myth has meant that the actual lack of Deists has been glossed over, and a quite misleading historical view has become entrenched.
Henry St John, Lord Bolingbroke, Fragments II, VII, VIII, XXIV, XXV, XLII, XLVI, LXXIV, LXXV, and Essays I and II, ... This supports the view that Tindal was publishing materials which had been debated in private for the past thirty ...
This volume explores the relationship between medicine and religion during the Enlightenment Period, here understood as covering the years 1650 to 1789.
This is argued at length in J. R. Jacob, Henry Stubbe, Radical Protestantism and the Early Enlightenment (Cambridge: Cambridge University Press, 1983). Other interpretations of Stubbe are possible, and his own attitudes may have changed ...
This book makes a comprehensive reassessment of the relationship between Enlightenment and religion in England.
This innovative book reveals how Enlightened writers in England, both lay and clerical, proclaimed public support for Christianity by transforming it into a civil religion, despite the famous claim of Jean-Jacques Rousseau that Christians ...
Explores British interpretations of Hinduism at a crucial period in the East India Company's conquest of Bengal.
César Chesneau Dumarsais, Le philosophe, in Nouvelles libertés de penser (Amsterdam: 1743), 173–204 (quotation on ... dans le style oratoire ou poëtique qu'à mesure que la lumière des Sciences et des Arts se répand dans la société.” 73.