T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years. Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume.
Kieran Kavanaugh. Mahwah, NJ: Paulist Press, 1987. Sanna, Ellyn. T. S. Eliot. New York, NY: Chelsea House, 2002. ———. 'Biography of T. S. Eliot.' Bloom, 2003b: 3–44. Sartiliot, Claudette. Herbarium, Verbarium: The Discourse of Flowers.
14 T. S. Eliot to Henry Eliot, January 9, 1935, The Letters of T. S. Eliot, vol. 7, 1934–1935 (London: Faber & Faber, 2017), 459. 15 T. S. Eliot to Ezra Pound, December 28, 1934, The Letters of T. S. Eliot, vol. 7, 430. 16 T. S. Eliot ...
T. S. Eliot CP1 CP2 CP3 CP4 CP5 CP6 CP7 CP8 The Complete Prose of T. S. Eliot: The Critical Edition, Volume 1: ... Letters of T. S. Eliot, Volume 5: 1930–1931 The Letters of T. S. Eliot, Volume 6: 1932–1933 The Letters of T. S. Eliot, ...
What careful craftsmanship—and arduous effort—such shipbuilding as versification requires can be ascertained by looking at Peter Robinson's examination of the many drafts and revisions of Bernard Spencer's “Boat Poem,” which reveals ...
xii Abbreviations of Works by T. S. Eliot Complete Prose 8 The Complete Prose of T. S. Eliot, Volume 8: 1954–1965, ed ... Valerie Eliot and John Haffenden (London: Faber & Faber, 2014) The Letters of T. S. Eliot, Volume 6: 1932–1933, ed ...
This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats.
The volume covers his separation from first wife Vivien, and tells the full story of the decision taken by her brother, following the best available medical advice, to commit her to an asylum - after she had been found wandering in the ...
The Complete Prose of T. S. Eliot: The Critical Edition: The War Years, 1940–1946, vol. 6, eds. ... 'The English Tradition: Address to the School of Sociology', CP 6, pp. 137–48. ... The Letters of T. S. Eliot, Volume 6: 1932–1933, eds.
G. Thompson, January 8, 1923. 147. Keating, Haunted Study, 272. 148. John Worthen, D. H. Lawrence: The Life of an Outsider (London: Allen Lane, 2005), 163–64. 149. Sir William Byles, December 1, 1915; offprint from Hansard in TNA, ...