T. S. Eliot once stated that the supreme poet "in writing himself, writes his time". In saying that, he honoured Dante and Shakespeare, but this pithy remark fittingly characterises his own work, including The Ariel Poems, with which he promptly and pointedly responded to the problems of his times. Published with unwavering regularity, a poem a year, the Ariels were composed in the period when Eliot was mainly writing prose; and, like his prose, they reverberated with diverse contemporary issues ranging from the revision of the Book of Common Prayer to the translations of Heidegger to the questions of leadership and populism. In order to highlight the poems' historical specificity, this study seeks to outline the constellations of thought connecting Eliot’s poetry and prose. In addition, it attempts to expose the Ariels’ shared arc of meaning, an unobtrusive incarnational metaphor determining the perspective from which they propose an unorthodox understanding of the epoch— an underlying pattern of thought bringing them together into a conceptually discrete set. This is the first study that both universalizes and historicises the series, striving to disclose the regular without suppressing the random. Approaching the series as a system of orderly disorder, the notion very much at home with chaos theory, it suggests new intellectual contexts, offering interpretations that are either fresh, or significantly reangled.
Written for the most part during an intense, three-year surge of poetic energy, the Ariel poems of T. S. Eliot represent a transition from The Waste Land cycle of poems...
This volume brings together, for the first time in a single edition, the six poems that T.S. Eliot wrote for the series, and in so doing restores them to the company of the artworks that originally partnered them.
"There are no poetic 'subjects' in this book, no conventional nightingales and daffodils, and there is no acceptance, either, of the traditional rules of metre and rhyme.
This is the first full-scale analysis of T.S. Eliot's six "Ariel Poems" as Christmas poems.
An indispensable collection of the Nobel Prize winner’s most renowned works. “In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet ...
In sharp contrast to these typical studies, this book endeavors to show that the quartets, along with his earlier post-1927 poetry (Ariel Poems and Ash Wednesday), can be read as the story of Eliot's own mystical journey to the Divine.
... (Yea, a sword shall pierce through thy own soul also), that the thoughts of many hearts maybe revealed. ... 2 Despite these connections, in 'AngloCatholic inReligion': T.S. Eliot and Christianity, Barry Spurr providesonly one brief ...
T. S. Elliot (1888-1965) was the dominant force in twentieth-century British and American poetry. With poems such as "The Love Song of J. Alfred Prufrock," he introduced an edgy, disenchanted,...
This collection includes the following: POETRY: The Wasteland (a collection of 5 poems) Over 30 other poems SHORT STORY: Eeldrop and Appleplex ESSAYS: Ezra Pound: His Metric and Poetry The Sacred Wood: (a collection of essays on poetry and ...
The text explores the powerful forces that shaped Eliot as a writer and thinker, analyzes his body of work, and assesses his oeuvre in a variety of contexts: historical, cultural, social, and intellectual.