This is the twelfth volume of the AW Mellon Lectures in the Fine Arts, which are delivered annually at the National Gallery of Art, Washington. The volumes of the lectures constitute number xxxv in Bollingen series.
Memling, Van Eyck, Antonello da Messina, Raphael, Holbein, Titian, Leonardo . . . these are the greatest names of the Renaissance which symbolize the ultimate in artistic achievement.
The letter is from Niccolò's young relation Lorenzo di Matteo Strozzi to his mother, Alessandra Strozzi, April 28, 1446: “Egli si ene tanto grasso che non si può muovere” (Strozzi 1877 ed., p.
Explores the aesthetic, technical, social and economic aspects of Renaissance portrait-painting and offers a close examination of the works of artists such as Jan van Eyck, Leonardo, Durer, Raphael, Holbein, and Titian.
The portrait in the Renaissance has long been connected with the cult of personality which emerged in the 15th century and provoked people to record their features accurately for the...
An ambitious exploration of the self-portrait from its inception in the late fifteenth century to the end of the twentieth, this ground-breaking book moves beyond the constraints of art history....
during my illness " ( Dfs 2 angsicht hab ich uch erl [ furcht ? ] gemacht in meiner kranckheit ) . 75 It links the subject of the drawing , Christ of the Passion , to the artist's own bodily condition at the moment of the drawing's ...
The renaissance portrait
An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries.
A collection of essays concerning the nature of Renaissance biographies and portraits, which contextualise the works in order to understand their contemporary significance.
The contributors to this collection of essays aim to create a better understanding of Renaissance biographies and portraits through the analysis and reconstruction of the traditions, contexts, backgrounds and circumstances of their ...