"This book brings together for the first time high-quality reproductions representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs but also the evidence of the first steps in shaping a totally new type of vision. Talbot became the first artist to be trained by the very art that he had invented." "Drawn from public and private collections throughout the world, the one hundred color plates are reproduced in the actual size of the originals and in all the subtle hues that comprised Talbot's early work. While a number of Talbot's most famous images are included, many of the photographs are little known and are reproduced in this volume for the first time. They range from Talbot's Lilliputian pre-1839 negatives (made in "mouse trap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research the author has conducted in preparation for a catalogue raisonne of Talbot's life's work in photography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Published on the occasion of the exhibition William Henry Fox Talbot and the Promise of Photography at Carnegie Museum of Art, Pittsburgh, November 18, 2017?February 11, 2018."
The Pencil of Nature
William Henry Fox Talbot (1800–1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age—a time that saw many political, social, intellectual, technical, and industrial changes.
Published to mark the bicentenary of the birth of Britain's celebrated inventor of photography, Specimens and Marvels illuminates the mid-nineteenth-century cultural environment in which Talbot's vision for photography emerged--a vision...
Schaaf, an independent photohistorian and research professor at the University of Glasgow and the director of the Correspondence of William Henry Fox Talbot Project, discusses approximately fifty of Talbot's images in the collection of the ...
Through two introductory essays, the book examines how Talbot's invention of photography in the 1830s, evolved to establish the artistic, scientific and industrial possibilities for photography.
Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a ...
It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Fox Talbot, Photographer
Printed Light: The Scientific Art of William Henry Fox Talbot and David Octavius Hill with Robert Adamson