Charting the history of the blues from its rural roots in the American South, and focusing on the key musicians and singers who brought it recognition worldwide, The Blues: A Visual History is a unique and fully illustrated account of the development of the blues. This deceptively simple, 12-bar musical form has become the common denominator that has driven the popular music of the last hundred years. As John Lee Hooker put it: "The music we play . . . that music is the roots. Rock music, everything else, is like a branch on the same tree. It all comes from the Blues."
Charts the history of the blues from its rural roots in the American South, focusing on the key musicians and singers who brought it recognition worldwide.
Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across ...
... Clara 127 , 509 , 510 , 585 , 644 , 657 , 662 , 673 , 674 Smith , Clarence 467 Smith , Eddie 235 Smith , Eugene 373 Smith , Francine 101 Smith , Funny Paper 510 Smith , G.E. 214 , 318 Smith , Gary 183,592 Smith , George Harmonica ...
Either prom, a costume party, or superhero training. As they journeyed out of the mountain toward the training arena, the two women chitchatted about completely ordinary topics, like other mythicals of the island (including a half woman ...
14 September 1981; Memphis, TN Country-blues singer, songster, and bottleneck slide guitar player. ... He sang and played guitar for both black and white audiences, at picnics, fish fries, dances, medicine shows, or on the street ...
“They'd never get nothing near dance music but they would carry out a free idea of their own, playing something out of their head, especially if you had a good cornet and clarinet soloist who could play on top of the band.
In eleven authoritative essays commissioned especially for the book, Nothing But the Blues traces the African-American origins of the music, its early development as popular entertainment, its early recorded manifestations, its regional ...
The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions.
In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection.
(Guitar Educational).