Liza Black critically examines the inner workings of post-World War II American films and production studios that cast American Indian extras and actors as Native people, forcing them to come face to face with mainstream representations of "Indianness."
This book summarizing tree growth modelling theory and its application in Europe is unique in presenting for the first time a platform developed by leading tree growth modelling groups in Europe together with potential end users, ...
The volume’s three essays situate these works within the historical narratives of westward expansion, the creation of an “Indian Territory” separate from the rest of the United States, and Oklahoma’s eventual statehood in 1907.
An overview of Indian representation in Hollywood films. The author notes the change in tone for the better when--as a result of McCarthyism--filmmakers found themselves among the oppressed. By an Irish-Cherokee writer.
In Talking on the Page: Editing Aboriginal Oral Texts, edited by Keren Rice and Laura J. Murray, 53–68. Toronto: University of Toronto Press. ———. 2006. Traces in Blood, Bone and Stone: Contemporary Ojibwe Poetry.
Volume #12 of 20 in The North American Indian series contains detailed information on the The Hopi. The subject areas covered on each tribe are histories, customs, ceremonies, mythologies and comparative vocabularies.
The focus on Native American characters gives a unique perspective for understanding stereotypes and the interplay of racism, sympathy, and empathy in the historical periods of narrative film. Hilger traces...
... and James J. White . Flora Portrayed : Classics of Botanical Art from the Hunt Institute Collection . Pittsburgh : Hunt Institute , 1985 . Brissenden , R. F. Virtue in Distress : Studies in the Novel of Sentiment from Richardson ...
The Pretend Indians: Images of Native Americans in the Movies
This text documents the self-serving stereotypes--ranging from Noble savage to bloodthirsty redskin--that Europeans and white Americans have concocted about the "Indian".
These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica.