Eroticism cut from classical mythology, ritual, and intimacy In The Flesh Between Us the speaker explores our connections to each other, whether they be lovely or painful, static or constantly shifting, or, above all, unavoidable and necessary. Intensely and unapologetically homoerotic in content and theme, The Flesh Between Us sensuously conducts the meetings between strangers, between lovers, between friends and family, between eater and eaten, between the soul and the body that contains it. Pushing the boundaries of what has been traditionally acceptable for gay and erotic content and themes, the poems adapt persona, Greek mythology, Judaism, and classic poetic forms to interrogate the speaker’s relationship to god and faith, to love and sex, to mother and father. Stark and mythical, the imagery draws from the language of animals and nature. Episodes of kink tangle with creatures of forests and lore. In this tumult, the lines of poetry keep a sense of boundary and distance by the seeming incompatibility of their subjects: daybreak and dissection, human and insect, worship and reality. The touch of irreconcilable bodies, in Adkisson’s language, intimates the precise moment of love. The idea of love moves viscerally through rib, lung, throat, and mouth. The poems show how flesh opens in so many ways, in prayers, in bleeds, in ruts. The flesh, opened, begins to swell. If there is guilt in this, Adkisson’s poems refuse the placid satisfaction of confession. Whatever attachments the reader dares to draw must be made with blade or tongue. The reader must commit to the potential violence narrated by these poems.
... Or if the secret ministry of frost Shall hang them up in silent icicles, ... A Noiseless Patient Spider A noiseless patient spider, I mark'd where on a ...
An anthology of some of the best English poems.
Combining journal entries, poetry and formal e-mails, these books celebrate the sights, sounds, flavors, (and the physical and mental strain), of crossing mountains, rolling landscapes, and unchanged rural villages, as well as vibrant ...
There are no Formal E-mails, no Definitions, no Autobiography or Research here. And because of all that it is not, this book completes those first two in the pilgrimage series in a gentle way.
Karen Freeman! Was born August 22, 1950 in Newark New Jersey. She had a “BRIGHT” daughter named Kira. She Married Warren W. C. Freeman March 1, 1998. They were married for 13 years and 20 days. She “PASSED-ON” March 21, 2011.
Winner of the Massachusetts Book Award "A terrific and sometimes terrifying collection—morally complex, rhythmic, tough-minded, and original." —Rosanna Warren, 2018 Barnard Women Poets Prize citation In a poetic voice at once accessible ...
O. D. Macrae Gibson points out that the function of pyȝt as a concatenating word stresses its capacity to mean both arrayed and set.8 Gordon glosses the word as varying in sense throughout the poem between “set,” “fixed,” and “adorned” ...
This riveting poetry collection is a fresh and witty account of thoughts and experiences that everyday people have in their day-to-day lives.
SELL. IT. SOMEWHERE. ELSE. Well, you can take your good looks somewhere else Cuz they're not for sale 'round here... I've heard about you and the things you do And I don't need you anywhere near. Yeah, I've met your kind a time or two ...
I was indeed fortunate in being able to recruit a pair of talented , conscientious , and unfailingly cheerful draftsmen in the persons of Julie Baker and Kathi Donahue ( now Sherwood ) to collaborate with my wife , Sally , in producing ...