Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
Twelve reviews complete the collection.
The great age of the English Renaissance was the great age of English drama. ... from Queen Anne Boleyn's coronation progress through the streets of London from the Tower to Westminster, already pregnant with the Princess Elizabeth, ...
... Renaissance Drama 32 (2003): 95–121. Sherman, William. Shakespearean Soliloquy: Sleepy Language and The Tempest. In Renaissance Transformations: The Making of English Writing, 1500–1650, edited by Tom Healy and Margaret Healy, 177–91 ...
“'Sensationalism' and 'Melodrama' in Ford's Plays. ... McCullen, Joseph T., Jr. “Madness and the Isolation of Characters in Elizabethan and Early Stuart Drama. ... Fashioning Femininity and English Renaissance Drama.
... Lisa Hopkins , Pamela M King , David Klausner , Jelle Koopmans , Katell Lavéant , Ben Parsons , Carol Symes ... againste Phillip King ofCastile, and against his subiectes and adherentes, for the recouerie of his kingdome.
Painted Faces on the Renaissance Stage : The Moral Significance of FacePainting Conventions , by Annette Drew - Bear . Lewisburg : Bucknell University Press , 1994. Pp . 139. Cloth $ 29.50 . Peter H. Greenfield That face painting was ...
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum.
“'By the choise and inuitation of al the realme': Richard II and Elizabethan Press Censorship.” Shakespeare Quarterly 48: 432–48. Clegg, Cyndia Susan. 2001. Press Censorship in Jacobean England. Cambridge: Cambridge University Press.
95 Rickert, Painting in Britain, 109. 96 An example is the so-called “Madonna della Tenerezza" in the oratory of Sant'Anna in Foligno (Annabel Thomas, Art and Piety in the female religious communities of Renaissance Italy [Cambridge: ...
Available online: https://blogs.nottingham.ac.uk/bardathon/2019/03/02/edward-iishakespeares-globe-the-sam-wanamaker-playhouse/ (accessed 20 April 2021). Kirwan, P. (2019b), 'After Edward (Shakespeare's Globe) ...