Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
WAYNE E. HALL Ulster's Uncertain Defenders : Protestant Political , Paramilitary , and Community Groups and the Northern Ireland Conflict . SARAH NELSON Yeats . DOUGLAS ARCHIBALD Yeats and the Beginning of the Irish Renaissance .
... The Irish Play on the New York Stage: 1874–1966. Lexington: University Press of Kentucky, 1998. Harris, Susan Cannon. “All That Trouble and Nothing to Show for It: Yeats's The Herne's Egg and the Misbirth of a Nation.” Éire-Ireland33 ...
... in manyways, Yeats«s bourgeois peasantrepresents theactual ruralIrish inhabitants of the age who were strugglingto maintain agrarianeconomic stabilityin an increasingly industrial and modernworld.9As Deborah Fleming notes, ...
This research monograph a takes a bracing new look at the pieties and received scholarship dealing with the Irish Dramatic Revival of the late 19th and early 20 th century....
How were racial issues and relationships portrayed, surmounted, influenced, and understood in the 19th and early 20th century theater? The essays in this collection were selected from among papers delivered...
WINNER OF THE 2008 THEATRE BOOK PRIZE! Globalization is transforming theatre everywhere. As writers seek to exploit new opportunities to produce their work internationally, audiences are seeing the world –...
Edna Longley's latest collection of critical essays marks a move back from Irish culture and politics to poetry itself as the critic's central concern. She considers how poets are read...
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Ireland's Others is a collection of essays by noted literary and cultural critic Elizabeth Butler Cullingford. In this volume, Cullingford assesses attempts by Irish writers to reverse hostile colonial stereotypes...
The fifty-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but...