Letters of an avant-garde icon available to the public for the first time
In the 39 letters of this collection, spanning 1942-46, Cage shows himself to be a man falling deeply in love. These letters have been transcribed, chronologically ordered, and in some instances reproduced in facsimile.
Several years ago a young fellow announced himself on the phone as David Tudor; John Cage had directed him to call on us. ... Even once Yates came to know what the I Ching was and how it functioned in Cage's hands rather better, ...
The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, ...
The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.
Currently I have the problem of writing a study of Virgil Thomson's works for a book . ... II Letter from Pierre Boulez to John Cage May 1950 Ambassador Hotel R. Senador Dantas , 25 Rio de Janeiro My dear John , Here I am , already ...
Mainly mesostics inspired by music, mushrooms, Marcel Duchamp, Merce Cunningham, Marshall McCluhan, etc. and includes "Mureau"-composed from the writings of Henry David Thoreau.
Writings through James Joyce's Finnegan's Wake, Norman O. Brown, and "The Future of Music."
Lewis, George E. “Improvised Music after 1950: Afrological and Eurological Perspectives.” Black Music Research Journal 16, no. 1 (Spring 1996): 91–122. Lewis compares and contrasts Afro-American improvisational traditions (especially ...
Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose activity always merged both of these roles.