This selection of over five hundred letters gives us the life of John Cage with all the intelligence, wit, and inventiveness that made him such an important and groundbreaking composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham, and shed new light on his growing eminence as an iconic performance artist of the American avant-garde. Cage’s joie de vivre resounds in these letters—fully annotated throughout—in every phase of his career, and includes correspondence with Peter Yates, David Tudor, and Pierre Boulez, among others. Above all, they reveal his passionate interest in people, ideas, and the arts. The voice is one we recognize from his writings: singular, profound, irreverent, and funny. Not only will readers take pleasure in Cage’s correspondence with and commentary about the people and events of a momentous and transformative time in the arts, they will also share in his meditations on the very nature of art. A deep pleasure to read, this volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century.
In the 39 letters of this collection, spanning 1942-46, Cage shows himself to be a man falling deeply in love. These letters have been transcribed, chronologically ordered, and in some instances reproduced in facsimile.
The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.
Mainly mesostics inspired by music, mushrooms, Marcel Duchamp, Merce Cunningham, Marshall McCluhan, etc. and includes "Mureau"-composed from the writings of Henry David Thoreau.
Hauer and Schoenberg both picked it up. But differently. Simultaneously? I empower you to publish this letter . . . ; but if . . . so, . . . in its entirety; not excerpted. What with his wretched financial situation, asthma, ...
Writings through James Joyce's Finnegan's Wake, Norman O. Brown, and "The Future of Music."
In the late sixties , a music engineer named Manfred Eicher left Deutsche Grammophone and in 1969 he formed ECM Records . Its motto was : " The next best sound to silence . " Over the subsequent decade , the label acquired notoriety for ...
Peter Yates claims to have first used the term "American Experimental Music Tradition," and he writes of Ives as the father of this movement in Yates, Twentieth-Century Music: Its Evolution from the 46. Perry, Charles Ives and the ...
Several years ago a young fellow announced himself on the phone as David Tudor; John Cage had directed him to call on us. ... Even once Yates came to know what the I Ching was and how it functioned in Cage's hands rather better, ...
Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose activity always merged both of these roles.
Alain Jouffroy and Robert Cordier ( 1974 ) What word would you use to characterize the artists in this show ( William Anastasi , Dove Bradshaw , John Cage , Tom Marioni , Robert Rauschenberg , Mark Tobey ) ? Well , the word I would use ...